Century Stained Glass Studio

Family Collection

Family Collections

Hurley Art Collection

From the collection of Judy Tham Hurley and Joe Hurley

Abel’s Offering to The Lord
Stained glass
2’ x 3’

 
 

Drawings, tempura on art board
9 3/8” x 4 3/8”
Signature on back - Carl Huneke-1968

Our Lady Queen of the World

Presentation of the Blessed Virgin in the Temple

Saint Francis of Assisi

Saint Felicitas

Fountain of Life
Drawing, tempura on paper
6 1/4” x 4 1/2”

 
 

Harpist
Drawing, tempura on art board
11” x 8”
Signature on back - Carl Huneke

 

Isaias Prophet
Drawing, tempura on art board
18” x 12”
Hand-printed on front - Designed by Carl Huneke SF
Signature on back - Carl Huneke SF

Saint Patrick, Saint Catherine and Saint Augustin
Drawing, tempura on art board
18” x 7 1/2”

 

Ahern Art Collection

From the collection of Connie Blaine Ahern and Gary Ahern

 

Window of The Roses
Stained Glass
12’ x 3’

Window as it was originally created and installed in the home of Matty Forbes at 120 Polly Park Drive in Rye, New York in 1965.  The assembled window at that location was pennant shaped, 12’ wide and 3’ high at its highest point, in four sections.

 
 

Window of The Roses
Stained Glass
3’ x 6’

Window as now installed in Connie and Gary Ahern’s home in Woodside. Architect Gary Ahern, re-configured the four pieces of the pennant shaped window into a rectangle, now 3’ wide and 6’ high, and featured it in the home he designed for he and Connie, Carl Huneke’s granddaughter.

Window of the Roses story

An amazing story about how this work of art was located and returned to Carl Huneke’s family in California.

 

WINDOW OF THE ROSES BY CARL HUNEKE

Marge Huneke Blaine    October 21, 2009

Terry started photographing all my father’s windows about twenty years ago.  Continuing perseverance and research into our archival material identified some 1,200 windows in more than 80 northern California churches that Carl Huneke designed, fabricated and installed.  

As Terry photographed and cataloged the windows his relationships in art glass circles expanded.  One of those contacts led to one of my father’s sample windows being displayed in the Museum of Biblical Art in New York City in December 2002.  Terry and I were thrilled to go to the opening of the show at the museum in New York on Fifth Avenue.  While in New York I remembered a window of roses that my father made in 1965 for Matty Forbes who lived in Rye, New York.  Terry and I had hoped to see and photograph it while we were there, but it never happened.  

A few months later, on a rainy February afternoon in 2003, my memory nagged me about this window of roses that I never got to see.  I chose that moment to pick up the phone and call the City Clerk in Rye, New York.  I told my tale: “I’m the daughter of Carl Huneke …I’m trying to locate one of his windows so I can photograph it…recently had a window displayed in the museum…..sentimental reasons……Matty Forbes owned a house in Rye with a window of roses in it....etc.”  The Clerk said Matty Forbes sold the house, she couldn’t give me the name of the new owner, but gave me the street address - 120 Polly Park Drive and gave me the name and phone number of the City Historian who came in one day a week, that very day!  An immediate phone call to the City Historian with the same story resulted in the name and phone number of the new owner, David Lawi.

I dialed the number immediately.  No answer – but I left a message on the answering machine.  Twenty minutes later Mr. Lawi returned the call.  I asked him about the window of roses in his house.  But this time the response was incredulity!  “Why did you call today??  The house is being bulldozed tomorrow.  I’ve already agreed to sell it to a salvager who is coming tonight to pick up the window.  I’ve already moved out.  I’m just here to pick up a few things that are left.  Who told you to call today?”  I started crying and told him my well honed story.  He was silent for a long time and finally said, “Give me an offer I can’t refuse”.  My mind raced and I blurted, “I can only come up with $1,000.   Would that be enough?”  There was a long pause.  “It’s good enough for me.  It belongs with his daughter, not a stranger.  Write a check today and mail it to me.  And you figure out how to ship it.”  I wrote the check, got it in the 5 p.m. mail pickup; called the museum and got the name of their shipper. Within a couple of hours, I not only found the window, but now I owned it.  

Several weeks later it arrived.  Terry set it up in our living room for several weeks and everyone in the family got to see it.  It was a magnificent faceted glass window, in a twelve foot wide tapering pennant shape, of a vine of red roses, in four three foot sections.  Ruby red sparkled along the green vine.  His name was in the corner –Carl Huneke – one of the few pieces he signed.  

Last year when Connie’s husband, Gary, designed their new home in Woodside, I asked him if this piece might have a place in his design.  He frowned and said nothing.  Much later he showed us his idea. It seemed that my father’s original triangle design in four sections, could be re-arranged to form a perfect rectangle.   Gary, master of space, found a perfect place above the stairwell for the Window of Roses.  

It was installed in its final resting place a month ago.  It’s already become my habit to touch my father’s name on the window each time I pass it, whispering “Hi, Daddy.”

NOTES:

Several family members have windows in their homes, some of which were made to be placed where they are installed, as well as some other smaller windows made by my father as samples.  

In our home we have a pair of faceted glass windows flanking the entry; Judy and Joe Hurley have a small leaded window high in the stairwell; Brad and Ellen Tham have two pieces at their Sonoma house: one faceted glass made for my brother Rudy’s office with Teamster symbols and one a rectangular religious themed sample in leaded glass.  Gus Tham has a beautiful faceted glass window in his home in Novato.  Greg has a duplicate my father made of a window from St Vincent de Paul in his San Francisco home and Tim has some beautiful faceted samples from the Cana Wedding Feast in his home in Carmichael. (Edited 4-21-17)

 
 

Faith, Love & Hope
Stained Glass

 
 

Blaine Art Collection

From the collection of Marge Huneke Blaine and Terry Blaine

Dancer and Mandolin Player
Faceted glass, epoxy matrix
77” x 24”

These windows were a housewarming gift from Carl Huneke to the Blaine Family. The windows frame their front door and were featured in an issue of Sunset Magazine.

 
 

Hope
Drawing

 
 

Our Ladies
Drawing

 
 

Demonstration Windows

Virgin and Child - 1961
Faceted glass, concrete matrix
43 1/2” x 15 1/4”

This window was shipped to New York city to be featured in an exhibition, Reflections on Glass: 20th Century Stained Glass in American Art and Architecture: The Gallery at the American Bible Society, 13 December 2002 – 15 March 2003.

 
 

Baptism of Jesus by John - 1938
Leaded stained glass
52 1/2” x 24 1/2”

 
 
 

Miracle at Cana - 1947
Leaded stained glass
41” x 19 3/4”

 

Miracle at Cana (Four Panels) - 1963
Faceted glass, epoxy matrix
73” x 36”

 
 

Peacock - 1962
Full sized drawings

 
 

Peacock - 1962
Faceted Glass, epoxy matrix
36” x 36”

 
 

Fountain of Life
Drawing

 
 

Fountain of Life
Faceted glass, epoxy matrix
48” x 48”

 
 
 

Nativity
Faceted glass, concrete matrix
12 1/4” x 10”

Mary at the Crucifixion
Faceted glass, concrete matrix
16 3/4” x 15”

 
 

Annunciation
Faceted glass, concrete matrix
35” x 17 3/4”

 
 
 

Rectangles
Faceted glass, concrete matrix
28 3/4” x 7 3/4”

 
 

Triangles
Faceted glass, concrete matrix
20 3/8” x 14 1/4”

 

Hilton Hotel Union Square
A faceted glass window at the stairway to Henry’s Room at the Top was removed in the 1980's. The current condition and location of the window is unknown.